Discover on ArtRenoir Art treasures of the artist Pierre-Auguste Renoir (1841-1919)
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Aline Charigot Renoir (1854 - 1915) "Oilpainting on Linen" by Pierre-Auguste Renoir (1841-1919)
Aline photo above excerpt from ca.1912, with hair pinned up
Aline Renoir with high with hair pinned up
Madamme Renoir with a Dog
See the color of the Dress !
Madame Renoir with your dog Bob, ca.1910
After a stay in 1881 in Italy, during which he (Pierre-Auguste Renoir) reading a manual authored in 1400 for painters, it is strongly oriented towards Raphael's frescoes and Jean-Auguste-Dominique Ingres, it begins the so-called "Ingres period" * or "dry period". Renoir begins to shift from the ground up, he turns away from the spontaneity and records the forms sharply but remains on the subjects full of life. He turns away from Impressionism to the classicism. Info1
The Ingres period in the biographical notices Renoir are therefore designated ingress, as the painter Renoir greatly Dominique Ingres (see self-portrait below) oriented.
The portrait of Renoir, Woman in pink dress is a painting by Renoir in respect of the inspirational influence of Dominique Ingres ideally suited to detect the influence of whom came forth the Renoir paintings in this internalized. Dominique Ingres and Renoir Aline see almost been like siblings or twins, so frapierend and influential Renoir has fully internalized the Ingres painting style, with a smear the rest of Renoir's Impressionist Painting Method is still recognizable.
Auguste Dominique Ingres
French painter and draftsman; * 29 August 1780 in Montauban,
† 14 January 1867 in Paris
Family Renoir limp left hand position, see photo in comparison with paintings including
The dress was later painted over with red oil paint
At several points of the dress older underpainting come to the fore the reporting revealed that the dress was originally painted in pink. The color was painted over then completely removed as a result of cleaning, see the pink color of the initial erosion. The evaluation of the scientific certificate confirmed that the painting had been painted over at a later date, thus the removal of the dark red color was a legitimate procedure that had to be removed. The painting was covered over with dirt and protective lacquer layers were even painted over old dirt, and also the whole painting was cleaned in one operation.
The removal of overpainting etc. it is inevitable that other layers of color are drawn partly affected, with the result that the painting must be in part restored to shine again in its original originality way.
The oil painting over the purple color shines through in some places
Mademoiselle Sicot, 1865
This painting, a lady named Sicot in a pink dress was painted by Renoir in the same color ratio as his wife Aline Renoir, see above.
Here you will find the scientific authenticity certificates
Please click on this below on the download icon in the desired language
Please note that the scientific Certificate is aimed solely at determining the age-related origin in order to offer proof that this definitely is an original paintings from Renoir is, in turn, with the application, and finally the evaluation by the unique Kryptologic Method by Doc Moses only receives the necessary write-up of Renoir.
In the featured paintings so it is exclusively an original oil painting of Pierre-Auguste Renoir (1841 - 1919).
A certificate of authenticity determination in the form of a scientific investigation has occurred Aline Renoir at the oil painting. The scientific facts of the certificate to oil painting Aline Renoir confirmed the chronology in Renoir period
A cross-check on the authenticity of Aline Renoir was carried out with the Kryptologic Method of Doc Moses at the front of oil paintings and after the examination in the science lab. The typical Renoir features such as Name - monogram - initials etc. could be detected and located in the following proof for authenticity of Aline Renoir.
With the prior publication on www.ArtRenoir.com and one of the contents of the argument for oil painting Aline Renoir, Renoir's work may be regarded now as a part of art history.
On page 10 of the certificate is there two photos are the result of an error on the part of the institute are there and not at our request as erroneously asserted were represented there. Correctly, we must point out that the right photo is displayed in our argument about the signature sample here on the website and the name Renoir near the shoulder and the head. The photos are both shown in the certificate thus not correct!
Renoir authenticity certificates of age determination
A.R.6.GER Aline Renoir German.pdf Download
A.R.6.ENG Aline Renoir English.pdf Download
A.R.6.FRA Aline Renoir French.pdf Download
A.R.6.ITA Aline Renoir Italian.pdf Download
After cleaning, the original original colors came to light again
Renoir and his wife
Aline Renoir, magnification
The slightly sunken eyes and lips pressed on the photo are just a snapshot and should not be seen as a direct comparison with the painting. Known, however, but is the Aline Renoir at this time was already very ill and eventually died as a result of her illness.
For the purpose of biometric data matching the painting was cut in the head - neck area photographed and placed over the photo of the woman by Renoir. The end result was amazing, the faces of both the contours overlaid added together and almost virtually merged into one another.
Renoir in the hair, close to the ear and the shoulder under infrared reflectography Info2
Signature samples Renoir
Monogram AR, Auguste Renoir, to the left of the neck
Renoir AR monogram, colored with photo filter for better visibility
Renoir AR monogram in black - white contrast
Close shut AR
The monogram of the letter R is in the middle (slightly) the fully specified name Renoir. The painting has beside the monogram a second signature.
The photo has been colored since the signature was so striking and the yellow lines have been marked by me for better identification of the borders.
Back of the painting with a visible old canvas
Original nailing of stretcher bars
Craquelüre - Age cracks confirm the originality of the painting
UV - Wood's light
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*The Red Numbers behind Info1,2,3 etc. are for our Archiv
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